On this day, youth workshops from different regions of Hungary come together at Trafó to discuss, make music, and open up their working methods to a wider audience.
A concert-infused trip across different time periods, revolving around the story of Anthony Braxton’s 1982 concert in Győr and a legendary preserves exhibition.
It’s a rare treat to hear Éva Bárdits’ and Márton Bertók’s duo perform live: together they inhabit Iza Tarasewicz’s large-scale installation in Trafó’s Main Hall.
Lecture performance with elements of prose, poetry, music and dance that traces the history and the afterlives of an almost forgotten social movement: agrarian socialism in Hungary. Only in Hungarian!
Eastern European folklore, ears of wheat, peasant barricades, agricultural machinery freed from slavery—all of this in Trafó’s black and neat theater hall.
Following Iza Tarasewicz’s installation opening and Justyna Stasiowska’s sound performance, we invite you to an artist talk with all artists participating in the focus’ opening event.
Eastern European folklore, ears of wheat, peasant barricades, agricultural machinery freed from slavery—all of this in Trafó’s black and neat theater hall.
The Cooking Sections exhibition invites us to reconsider our relationship with industrial livestock farming and pigs. Where does the pig end, and where do we begin?
“Questioning existing structures and striving for independence are always relevant, regardless of the political situation or the prevailing public mood.” (Interview with Dominika Trapp)
Five dancers on a mission to kill romantic love before it kills them. Argentine choreographer Marina Otero shows her internationally acclaimed work in Budapest for the first time!
Magnus Westwell, the young Scottish talent of Sadler’s Wells, a key venue for contemporary dance in London, is arriving to create the SUB.LAB.PRO ensemble’s last choreography for this season.
Magnus Westwell, the young Scottish talent of Sadler’s Wells, a key venue for contemporary dance in London, is arriving to create the SUB.LAB.PRO ensemble’s last choreography for this season.
A visually arresting performance, Magic Maids interconnects the figures of the witch and the maid, transforming the broom from a cleaning tool into a symbol of resistance.
A visually arresting performance, Magic Maids interconnects the figures of the witch and the maid, transforming the broom from a cleaning tool into a symbol of resistance.
How are women’s bodies represented in theatrical spaces? And how do women relate to their own bodies today? More broadly: how, and in how many ways, can we connect with ourselves?