Two performances focusing on sound, constucting and deconstructing it. A French- Hungarian duo after Festival d’Avignon and a Hungarian performance after Documenta 14.
BIOGRAPHIES
David Somló
David Somló is a Hungarian interdisciplinary artist based in Budapest. He works with sound, performance, improvisation and composition. He studied Interdisciplinary Composition at Goldsmiths College, London and Sociology at ELTE, Budapest. In 2017 He is a participant of the 3 month Picture Budapest-Østfold, Norwegian-Hungarian site-specific residency program, and a resident artist of Budapest based L1 contemporary performance association. In the summer he will be curating the site-specific programme of Hungarian outdoor festival Kolorádó.
In his artistic practice Somló is interested in the small, important moments of human interactions and in exploring the relations of the physical, the social and personal space. In most of his work he uses portable sound sources to create an immersive and flexible sonic environment without spatial separation between the performance and the audience.
He composes situations which offer a complex, non-repeating outcome from simple elements, structures and instructions. In his participatory pieces he aims to create open frameworks which are working as performative Rorschach tests, offering a playful and reflective collective space.
He often work in a site-specific context. He made pieces in foot tunnels, a swimming boat, Turkish hot baths, an abandoned office, a mining museum, a synagogue garden, private flats and various other public spaces. His work was performed in international festivals in Europe and South America such as FIME Sao Paolo (BR), Sonorities (NIR), CROSS Awards (IT), We Are Now (UK), NOW'16 (UK), Audiograft (UK), Montag Modus (GER), Let Me In (GER), PureGold (UK) Resolution14 (UK), Stockton Riverside Festival (UK), Miramiro (BE), Divadelni Flora (CZ), UH Festival (HU), L1 Dance Festival (HU), Reality Research Festival (HU).
www.davidsomlo.com
Claudia Triozzi
Claudia Triozzi received training in classical ballet and contemporary dance in Italy. She moved to Paris in 1985. In addition to her work as a performer (with Odile Duboc, Georges Appaix, François Verret, Alain Buffard, Xavier Leroy and Xavier Boussiron), she creates her own pieces in which she develops the direction of both the production and the performance. Her research work focuses on the process of transmission where the experience of doing, of sharing, of commitment to the other, bear witness to a thought process continuously out to conquer new spaces of subjectivity whilst having a fresh take on time.
She creates iconoclastic pieces from which dance never comes out unscathed among others Park (1998), Dolled Up (2000), The Family Tree (2002), Opera’s Shadows (2005), Up To Date (2007), Ni vu ni connu (2010), Boomerang ou le retour à soi (2013).
Since 2011, Claudia Triozzi presents « Pour une thèse vivante » (For a living thesis), in which she reveals her reflexion about the artist’s writing : Un CCN en terre et en paille « Pour une thèse vivante » épisode 5 will be presented in november 2017, at La Ménagerie de Verre.
Her work has been developing equally well on stage, on video or through installations, exhibited as they are in museums or in galleries.
She develops a pedagogy related to her own work and teaches in different art schools in France and abroad.
http://www.claudiatriozzi.fr/
BIOGRAPHIES
David Somló
David Somló is a Hungarian interdisciplinary artist based in Budapest. He works with sound, performance, improvisation and composition. He studied Interdisciplinary Composition at Goldsmiths College, London and Sociology at ELTE, Budapest. In 2017 He is a participant of the 3 month Picture Budapest-Østfold, Norwegian-Hungarian site-specific residency program, and a resident artist of Budapest based L1 contemporary performance association. In the summer he will be curating the site-specific programme of Hungarian outdoor festival Kolorádó.
In his artistic practice Somló is interested in the small, important moments of human interactions and in exploring the relations of the physical, the social and personal space. In most of his work he uses portable sound sources to create an immersive and flexible sonic environment without spatial separation between the performance and the audience.
He composes situations which offer a complex, non-repeating outcome from simple elements, structures and instructions. In his participatory pieces he aims to create open frameworks which are working as performative Rorschach tests, offering a playful and reflective collective space.
He often work in a site-specific context. He made pieces in foot tunnels, a swimming boat, Turkish hot baths, an abandoned office, a mining museum, a synagogue garden, private flats and various other public spaces. His work was performed in international festivals in Europe and South America such as FIME Sao Paolo (BR), Sonorities (NIR), CROSS Awards (IT), We Are Now (UK), NOW'16 (UK), Audiograft (UK), Montag Modus (GER), Let Me In (GER), PureGold (UK) Resolution14 (UK), Stockton Riverside Festival (UK), Miramiro (BE), Divadelni Flora (CZ), UH Festival (HU), L1 Dance Festival (HU), Reality Research Festival (HU).
www.davidsomlo.com
Claudia Triozzi
Claudia Triozzi received training in classical ballet and contemporary dance in Italy. She moved to Paris in 1985. In addition to her work as a performer (with Odile Duboc, Georges Appaix, François Verret, Alain Buffard, Xavier Leroy and Xavier Boussiron), she creates her own pieces in which she develops the direction of both the production and the performance. Her research work focuses on the process of transmission where the experience of doing, of sharing, of commitment to the other, bear witness to a thought process continuously out to conquer new spaces of subjectivity whilst having a fresh take on time.
She creates iconoclastic pieces from which dance never comes out unscathed among others Park (1998), Dolled Up (2000), The Family Tree (2002), Opera’s Shadows (2005), Up To Date (2007), Ni vu ni connu (2010), Boomerang ou le retour à soi (2013).
Since 2011, Claudia Triozzi presents « Pour une thèse vivante » (For a living thesis), in which she reveals her reflexion about the artist’s writing : Un CCN en terre et en paille « Pour une thèse vivante » épisode 5 will be presented in november 2017, at La Ménagerie de Verre.
Her work has been developing equally well on stage, on video or through installations, exhibited as they are in museums or in galleries.
She develops a pedagogy related to her own work and teaches in different art schools in France and abroad.
http://www.claudiatriozzi.fr/
