Ctrl + ↑ for Coyote Time
Exhibition and series of events
22/03 - 07/04/2024
Trafó Gallery, Budapest
Exhibiting artists: Bassam Al-Sabah, Hollow (Gyula Muskovics, Tamás Páll, Viktor Szeri), Denis Kozerawski (with Kristína Jamrichová, Ondřej Mohyla, Martina Růžičková), Lawrence Lek, Paula Malinowska, Tabitha Nikolai, Sin Wai Kin
Curators: Jen Kratochvil, Borbála Szalai, Maxine Vajt
You can download the handout of the exhibition from here.
We look down and realize that we've run over the edge of the cliff, the abyss is below us. What do we do? What can we do? Is there by any chance a keyboard shortcut for this?
Jumping forward from this moment of suspension, the exhibition Ctrl+Up for coyote time asks whether it is possible to imagine worlds - digital or physical - where the rules by which we 'play' can be redefined. Where the hegemonic play and the failed normative goals of videogames can be transcended, where the systems of rules can be reimagined, where individual and shared experiences -that are both political and deeply personal- can be lived.
Questions of how mainstream gaming formulates daily routines of our lives meet more specific challenges to the basic principles of gamification and world-building used as a toolbox for normalized existence in late capitalism - how to disrupt, take apart, and reconfigure them to counteract the system they originated from? The exhibition explores the boundaries and adjacent niches of the continuous bleeding of digital and physical reality into each other; a probe into hegemonic play and its deconstruction through queer and trans methods and strategies; an elaborate ploy to reach the state when time freezes, and you keep levitating, and a the second jump appears to be an option.
Detailed programme:
>> 22/03/2024, FRIDAY <<
19:00 Opening. During the opening the curators of the exhibition will give a guided tour
[Free entrance, in English]
20:00 - 21:30 No Fun Collective (Maxine Vajt) > Read’n Play
Lecture performance
Venue: Trafó Gallery
Video games are tools. Of oppression, escapism, capitalism, but also of resistance and discovery. Read'n Play is a performative lecture format, that uses a series of video games played by and with the audience, as an entry point into conversations on the intersections of race and queerness, how has the “other” been historically presented in games and what are the very real impacts, going far beyond popculture. We will discuss why and how have games been made primarily by white cis straight men, and what can we learn, by analyzing their work and engaging in play with those who have been excluded.
Important note: Please bring your own laptop, if you can!
[Free entrance, in English]
>> 23/03/2024, SATURDAY <<
Moderated by Maxine Vajt
Venue: Trafoclub
Why
are there no more websites? We are progressively more often hopping
from one platform to another, rarely delving into the actual web. Within
these walled gardens we have become oversaturated and perhaps in a
futile attempt to comprehend and fight isolation, we join small
communities - sub-subcultures of queer trans AuDHD people, eastern
european cottage core girls, new age yoga non-gmo influencers, global
elite children-kidnapping conspiracy theorists… We might be paranoid,
but is this fear really ungrounded? Can we find safety in the crevices
where the shiny Web 3.0. cracks? What is the line between digital safe
spaces and dangerous conspiracies? The work of Tabitha Nikolai deals
with all of those questions, which we will discuss while live playing
her games. She will take us on a ride from the Institute of sexual
science in Berlin, burned archives and forgotten histories, to the
premises of a failing hotel, which has morphed into an allegory of the
internet.
[Free entrance, in English]
18:30 Guided tour by Márió Nemes Z.
Márió Nemes Z. is a poet, critic, performer, aesthete, and one of the protagonists of the Hungarofuturist movement.
Venue: Trafó Gallery
[Free entrance, in Hungarian]
19:30 - 21:00 Lecture performance with Zoyander Street
Moderated by Maxine Vajt
Venue: Trafoclub
Waiting
is generally quite annoying. Sometimes it feels one would rather clean
the windows, than wait at the post office. But what if there is no end
in sight? When suffering from long covid, and no doctor really seems to
care? When neurodivergency is systematically misdiagnosed? When
accessing gender affirming therapy is impossible, or so far in the
future that it is nearly impossible to imagine? For the interviewees of
Zoyander Street´s game Cis Penance, waiting for one or more of
these is, or at least was, a significant part of their life. Surely not a
foreign feeling to Hungarian trans people, whose waiting time has been
since 2020 prolonged indefinitely. The performative lecture will take
us on a trip through the intersections of neurodiversity and gender
diversity, of sickness, body normativity, generative forms of rage,
accessibility, and how we can protect ourselves, in waiting from the
powers at be.
[Free entrance, in English]
>> 24/03/2024, SUNDAY <<
14:30 - 17:30 No Fun Collective (Maxine Vajt) > Workshop against oppressive narratives
Venue: Trafó Gallery
Why do the stories we tell ourselves always involve conflict? Why is there a clear cut good and bad, with one of them winning? There probably isn't a field with less ambivalent narratives, than video games. Shoot the bad guys, save the princess, save the world, conquer the world…
The workshop against oppressive narratives offers an alternative. What if we made stories without a beginning or an end, without conflicts, without expected representations of different groups? During the course of the workshop, we will name, deconstruct and rebuild stereotypes told about ourselves and finally take agency, by making a small playable game.
Note: No prior knowledge of games is required. Please bring your own laptop to the workshop
[Free entrance, in English]
18:00 - 18:45 Guided tour with literary scholar and journalist Ferenc Kőszeghy
Venue: Trafó Gallery
[Free entrance, in Hungarian]
Professional partner: Háttér Society
Supported by: Háttér Society, United States Department of State, the National Cultural Fund of Hungary, Czech Centre Budapest, Káli Kövek
Image credit: Bassam Al-Sabah: I AM ERROR, 2021, HD CGI film (video still)
This programme is supported by the Háttér Society and the United States Department of State. The opinions, findings, and conclusions expressed during this event are those of the authors and do not necessarily reflect the views of the Háttér Society or the United States Department of State.
