Keith Fullerton Whitman (US), John Duncan, James Hamilton and Soharóza (US/CAN/HU), Porteleki & Bertók (HU)
2400 HUF | in advanced booking: 1900 HUF (the first 100 tickets)
General Season Pass and Twin Pass accepted
UH Fest returns with performances by international and local artists in various clubs and venues across Budapest. As well as more than 40 concerts, the programme will be accompanied by lectures, workshops and talks.
Keith Fullerton Whitman
Keith Fullerton Whitman is a composer, performer, and recording artist currently based in Melbourne, Australia. Active from the early 90's on while working towards a Bachelor's Degree in Music Synthesis at Boston's Berklee College of Music, Keith began exploring electronic music's many facets, eventually yielding dozens of recordings for influential labels such as Kranky, Editions Mego, PAN, Planet µ, Carpark, Room40, Amethyst Sunset, Amish, NNA Tapes, No Fun Productions, Agents of Chaos, Arbor, Digitalis Limited, Ekhein, Heavy Tapes, Rare Youth, Root Strata, and many more.
These days his creative energies are largely put into the continued development of a singular take on "Live Electronic Music" incorporating an ever-changing hybrid software & hardware-based system that allows for the desired complexities of sound & vision. While this work has manifested itself as a pair of albums for Editions Mego entitled "Generators" & "Occlusions," it's largely intended for the stage. More recently, Keith has been performing a piece titled "Redactions," incorporating thematically & geographically relevant Musique Concrète elements into the modular setup alongside the "Generators" & "Occlusions" frameworks.
keithfullertonwhitman.com
keithfullertonwhitman.bandcamp.com
soundcloud.com/kfw
John Duncan, James Hamilton and Soharóza
John Duncan has operated for decades at the cutting edge of performance, video, experimental music, installation, pirate radio and television. He has played a pivotal role in the development of performance art in Los Angeles, of experimental music as a member of LAFMS, of Japanese noise and pirate radio in Tokyo. Duncan's work in experimental music continues to have a lasting influence as his art overall continues to be honed, refined, sharpened.
Soharóza – founded in 2008 to fulfill the wish of renowned theatre director, Viktor Bodó – experiments and improvises with the human voice, language, movement, folk music as well as composed pieces: continually searching for new forms and sounds. They have performed a slang-opera in a cave, organized gastronomical concerts, hosted a show in an abandoned power-station, and participated in flashmobs in Turkish baths – just to name a few of their unique appearances.
johnduncan.org
johnduncan.bandcamp.com
soharoza.hu
Keith Fullerton Whitman
Keith Fullerton Whitman is a composer, performer, and recording artist currently based in Melbourne, Australia. Active from the early 90's on while working towards a Bachelor's Degree in Music Synthesis at Boston's Berklee College of Music, Keith began exploring electronic music's many facets, eventually yielding dozens of recordings for influential labels such as Kranky, Editions Mego, PAN, Planet µ, Carpark, Room40, Amethyst Sunset, Amish, NNA Tapes, No Fun Productions, Agents of Chaos, Arbor, Digitalis Limited, Ekhein, Heavy Tapes, Rare Youth, Root Strata, and many more.
These days his creative energies are largely put into the continued development of a singular take on "Live Electronic Music" incorporating an ever-changing hybrid software & hardware-based system that allows for the desired complexities of sound & vision. While this work has manifested itself as a pair of albums for Editions Mego entitled "Generators" & "Occlusions," it's largely intended for the stage. More recently, Keith has been performing a piece titled "Redactions," incorporating thematically & geographically relevant Musique Concrète elements into the modular setup alongside the "Generators" & "Occlusions" frameworks.
keithfullertonwhitman.com
keithfullertonwhitman.
John Duncan, James Hamilton and Soharóza
John Duncan has operated for decades at the cutting edge of performance, video, experimental music, installation, pirate radio and television. He has played a pivotal role in the development of performance art in Los Angeles, of experimental music as a member of LAFMS, of Japanese noise and pirate radio in Tokyo. Duncan's work in experimental music continues to have a lasting influence as his art overall continues to be honed, refined, sharpened.
Soharóza – founded in 2008 to fulfill the wish of renowned theatre director, Viktor Bodó – experiments and improvises with the human voice, language, movement, folk music as well as composed pieces: continually searching for new forms and sounds. They have performed a slang-opera in a cave, organized gastronomical concerts, hosted a show in an abandoned power-station, and participated in flashmobs in Turkish baths – just to name a few of their unique appearances.
johnduncan.org
johnduncan.bandcamp.
