Solitude, desire, love, physical contact, violence, power, subjection, possession, honesty, dissimulation… struggles fought by everyone throughout their life, even if maybe not so desperately as the dancers on the stage in this choreography of FREN_ÁK. The tense theatrical pulsation of male and female roles, loneliness and togetherness, suffering and happiness, personalism and objectiveness call us to realise ourselves.

InTimE does not need to offer solutions: it is enough if it shows the complexity of these human relationships, so honest that the spectator cannot escape being touched by the performance.

There are six dancers on the stage. They sometimes motionlessly observe the other’s fight from the outside and at a distance, while in other situations they take part in these battles. How can – if ever - one person become real to the other? Can the desire for each other remain unfulfilled forever?

FREN_ÁK’s haunting question is how much our life is entangled in the opportunism towards others and ourselves; how much lying and insincerity impact our relationship to our body. The emblematic red sofa is a choreographical boundary and the platform of fights, struggles and desires, and the place where we can face the unique loneliness of human beings.