HODWORKS

Another Dance Show

     
2400 HUF / student: 1900 HUF 
Trafó passes are accepted 
In the recent years, cultural and political self-reflection became a central characteristic in the work of HODWORKS both on the levels of direct verbalisation and complex abstraction. Adrienn Hód and her co-creators are constantly looking for situations in which they can erase the traditional boundaries between the performer’s and the audience’s experiences. The three dancers of the new Hodworks piece (Csaba Molnár, Jenna Jalonen, Márcio Kerber Canabarro) now continue further on this very road. In Another Dance Show, the frustrations deep within any performer’s character are expressed through the series of subversive and grotesque situations. The creators address the questions of vulnerability, the desire of success and the craving of acknowledgment in an undisguised and frontal and ironical manner. They are capable of anything for survival on stage even if it takes extreme measures. In the end the fear and joy derived from the performers trials will lead not only to further questions, but might result in a contemporary dance that is not simply performed by the dancers but rather shared by them with the audience surrounding them.




With: Jenna Jalonen, Márcio Kerber Cannabarro, Csaba Molnár

Artistic consultation and dramaturg: Ármin Szabó-Székely

Artistic consultation, workshop: Veronika Szabó

Piano: Dinara Klinton

Music: Ferenc Liszt: Transzcendens etűdök (detail) and improvisation

International relations: György Ujvári-Pintér

Choreography: Adrienn Hód

Supported by: National Dance Theater, AharmadikHely Lakásszínház, EMMI, Off Foundation, SÍN Cultural Center, in partnership with the Workshop Foundation

Coproduction: Trafó House of Contemporary Arts


Dinara Klinton:


Pianist Dinara Klinton was born in Ukraine and has completed the Artist Diploma in Performance course at the Royal College of Music where she was under the tutelage of Dina Parakhina. Prior to this, she was awarded a Master of Performance degree with distinction at the RCM. Upon graduating from the Moscow Central Music School, where she studied with Valery Pyasetsky, she went on her Graduate Diploma with Honors at the Moscow State Conservatory, where she worked with Eliso Virsaladze. Dinara currently holds a position of Assistant Professor of Piano at the Royal College of Music. 

Klinton has won many awards in prestigious international competitions, among them are Third prize at the Cleveland International Piano Competition, USA (2016), Third prize BNDES International Piano Competition in Rio de Janeiro, Brazil (2014), Second Prize and Special prizes for the best performance of the Semi-final recital, Chopin’s composition and Paderewski works at the 9th International Paderewski Competition in Bydgoszcz, Poland (2013), Second Prize at the Ferruccio Busoni International Piano Competition in Bolzano, Italy (2007). She has also received the Diploma for the best pianist who did not qualify into the Final of the Chopin competition in Warsaw (2015). Dinara has appeared at many international music festivals including the “Progetto Martha Argerich” Festival in Lugano, Rheingau Music Festival, Ravello Music Festival, International Festival of Piano “La Roque d’Antheron”, “Chopin and His Europe” in Warsaw, Cheltenham Music Festival, Aldeburgh Proms. Dinara has performed at such venues as Royal Festival Hall, Wigmore Hall, Cadogan Hall in London, Tchaikoivsky Concert hall in Moscow, Great hall of Moscow State Conservatory, Berlin Philharmonic, Gewandhaus zu Leipzig, Warsaw Philharmonic, Tokyo Sumida Triphony Hall. She has worked with orchestras such as The Philharmonia Orchestra, Lucerne Symphony Orchestra, Leningrad Philharmonic Orchestra, State Academic Symphony Orchestra of Russia, Musica Viva and The Moscow Virtuosi. Her performances have been broadcast by EBU, BBC2, BBC Radio3, All-Russia State Television and Radio Broadcasting Company. 

Dinara’s debut recording Music of Chopin and Liszt was made at the age of 16 with an American label DELOS. Her second album Liszt: Études d'exécution transcendante, S. 139 was released in 2016 with GENUIN Classics, and the most recent CD has been launched in summer 2017 and is a part of renown recording series “Chopin. Complete Works on contemporary instruments”, released by The Fryderyk Chopin Institute.

Aharmadikhely Lakàsszínház, Off Alapítvány, SÍN Kulturális Központ, Partnerségben a Műhely Alapítvánnyal

Another Dance Show Nemzeti Táncszínház

Rejtélyes erők uralják, feszítik és perpetuálják a show-t, anélkül, hogy beazonosíthatnánk az eredőjüket: vajon a zenéből, művészeti szokásrendekből, nézői tekintetből, a táncosok önkifejezési szándékából, a professzionális művészi munkavégzésből és/vagy az ezzel szembeni lázadásból származnak?"

"Hód (...) összezavarja a különbségtételeken alapuló, ábrázoló színház működését, összezavarja a nézőket is. Mert hiába nevetünk, a nevetésbe némi zavar vegyül, minden jelenet egyszerre vicces, obszcén és megalázó is. Ebben az előadásban a játék kényszerűsége, a szeretet- és sikeréhség, valamint a közönség tekintetének való kitettség és kiszolgáltatottság dominál."

"Ám a nézők számára nincs fellélegzés, levezetés. Nincs katarzis, csak a hiány döbbenete. A perspektíva csupán a remény: még jőni fog egy jobb kor, melyben nemcsak űr és kérdések maradnak a lelkekben, ha látunk még egy táncelőadást."

"Egy ponton a sok-sok figyelemfelkeltő, provokáló, polgárpukkasztó gesztus után (vagy ellenére) mindhárom táncos már valós könnyeivel küszködve igyekszik meghódítani a közönség mindig lankadni kész odafigyelését. És ahogyan az eddigi, merészebb rész is tűpontosan, kellő arányban épül fel, úgy érkezik megfelelő ütemben ebbe a „trollhalmaznak” tűnő produkcióba a líra. A költészet. Maga a tánc."


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