In this November during the 3rd Festival Temps d’Images in Budapest visual adventures, ARTE films, presentations, performances-installations and works in progress give way to such exciting hybrids of genre as the ”video-sacrifice” (András Juhász and the Don’t EAT Group’s Landscape),opera-film-theatre (Wayn Traub: Maria Dolores), or video-intsallation (Šejla Kamerić: What do I know). The new choreography of Pál Frenák (Instinct – never, or ...) was inspired by the work of the contemporary composer Helmut Oehring, while the concert of Zeitkratzer and Lillevan is a unique experience of electronic music and on-stage visualized music. The Croatian artist Andrea Bozič invite us to see the piece Still life with man and woman: the works of the choreographer always stretches across performed, static, and video arts!
The Europe of living arts can only be indisciplinaire. It has been the case in the past, it is now the case by conviction. Decompartmentalized, decentralized, without hierarchy, open to others and to the otherness, it goes beyond meaningfulness and form without considering boundaries between genres. Since its inception in 2002, the festival Temps d’images, created by ARTE and La Ferme du Buisson, is exemplary of an European way of being indisciplinaire. Based on the dialogue between the scene and the image, the exchange has involved two partners, then three, then more and more to reach nine partners (Paris, Brussels, Lisbon, Rome, Düsseldorf, Budapest, Warsaw, Tallinn and Riga – to which one should add Montreal), nine languages that are multiplied by as many new voices, spaces and bodies.
Welcome to Festival Temps d’Images! We hope you will have great, exviting and long-lasting experiences in this special world of images and performances!
With the support of: