Part of the transdisciplinary focus work-free-time.
A visually arresting performance, Magic Maids interconnects the figures of the witch and the maid, transforming the broom from a cleaning tool into a symbol of resistance. Filled with dances and spells, it amplifies the untold stories of migrant domestic workers and invites the audience to reflect on the everlasting chain of migrant labour, the exploitation of women’s work and the female body.
Magic Maids interweaves ritual performance, pageantry, and possession. Created and performed by two internationally known artists, Eisa Jocson and Venuri Perera, it is a primal incantation that demystifies the connection between the history of European witch hunts and the ongoing extraction and exploitation of women’s labor in today’s global migrant care work. Both female figures—the witch and the maid—are part of the same misogynistic matrix: powerful and powerless, feared and revered, used, accused, and discarded. These are not mere hearsay and history, but deeply rooted in today’s psyche.
Eisa Jocson and Venuri Perera have absorbed the horror stories of migrant domestic workers from the so-called Global South, stories that now echo through their bodies. In their performance, the broom, the domestic cleaning tool, and the vehicle of the witch—become extensions of their bodies, a pivot point where oppression transforms into monstrous, feminist resistance. The brooming duo dances to rewild the domesticated feminine, performing a ritual of disobedience that dismantles the dominant narrative we live in.
Eisa Jocson is a contemporary choreographer, dancer and visual artist based in La Union. Her work exposes the politics of the body in the service and entertainment industry from the unique socio-economic perspective of the Philippines, exploring how and under what conditions bodies move. In all her works, ranging from pole dancing and macho dancing to hostess work and Disney princess, capital is the driving force behind the movement that pushes the body into spatial geographies. In 2019, she won the Hugo Boss Asia Art Award and received in 2023 the Tabori Award International in Germany.
Venuri Perera is a choreographer, performance artist, curator and educator from Colombo, Sri Lanka, based in Amsterdam. In her solo and collaborative works, she deals with violent nationalism, patriarchy, border rituals, colonial heritage, and class. She explores the power dynamics of gaze and opacity through performative experiments in theaters, galleries and public spaces. Venuri Perera has been conceiving and curating programs for the Colombo Dance Platform since 2016, with the support of the Goethe-Institut Colombo.
Embassy of the Kingdom of the Netherlands
| Holland Nagykövetség |

„Gondolatébresztő, lenyűgöző képi és mozgásvilágú előadás. A Magic Maids egyszerre figyelmeztetés és tisztelgés: emlékeztet arra, hogy nincs nagyobb düh a világon egy lenézett nő haragjánál, miközben együttérzést és félelmet kelt a körülöttünk élő háztartási munkások iránt.” --------------------------- "Awash with ideas and fascinating imagery and movement, Magic Maids is both warning and tribute, a reminder that hell hath no fury like a woman scorned, inciting both pity and fear in us for the domestic workers around us."