Romantic, dark, daring, heart-warming, pleasantly melancholic, boundlessly charming, humorous, dramatic, sensitive, acrobatics with endless possibilities – without a moment of dullness. They’re coming back! They’re coming back!
The enthusiasm for the new circus that is so characteristic of the Budapest audiences began with the Swedish Cirkus Cirkör. We all stare at the stage in awe with our jaws hanging open regardless of age and sex, where there’s everything we could ever hope for: the grotesque, tragicomedy, surprises and things we’ve never seen before.
Wear it like a Crown, the final installment of the Cirkus Cirkör’s trilogy on the body (the first installment – 99% Unknown (2004) – was also featured at the Trafó) thinks like the chaotic system of the right hemisphere of the brain. On this occasion, the members of the ensemble have created a fabulous, Jean-Pierre Jeunetish (Delicatessen, The City of Lost Children, Amélie) world. The six odd characters all feel like they’re the loneliest people in the world and all they all come up unusual, lame ideas of establishing contact with the others, for example, with the use of ping pong balls, suction cups or a chainsaw.
This performance is our Christmas gift and is recommend for everyone over 10 years of age.
Ensemble:
David Eriksson Marvel of the century
Fouzia "Fofo" Rakez Wild weird and wonderful
Henrik Agger Wizard of wonder
Louise Bjurholm Miraculous and supernatural
Anna Lagerkvist Mistress of Mayhem
Jesper Nikolajeff Nerves of steel
Concept and direction: Tilde Björfors
Music and lyrics: Rebekka Karijord
Set design: Creative team and ensemble
Costume: Anna Bonnevier
Mask: Helena Andersson
Lighting design: Ulf Englund
Prop design: Tomas Helsing
Film and projections: Johan Bååth
Dramaturge: Camilla Damkjaer
Choreography: Cilla Roos
Circus choreography: Molly Saudek
Technicians:
Patrik Petersson Sound technician
Viktor Svälas Light technician
Patric Martinsson Stage technician
Belinda Nikolajeff Tourleader/Merchendise
The enthusiasm for the new circus that is so characteristic of the Budapest audiences began with the Swedish Cirkus Cirkör. We all stare at the stage in awe with our jaws hanging open regardless of age and sex, where there’s everything we could ever hope for: the grotesque, tragicomedy, surprises and things we’ve never seen before.
Wear it like a Crown, the final installment of the Cirkus Cirkör’s trilogy on the body (the first installment – 99% Unknown (2004) – was also featured at the Trafó) thinks like the chaotic system of the right hemisphere of the brain. On this occasion, the members of the ensemble have created a fabulous, Jean-Pierre Jeunetish (Delicatessen, The City of Lost Children, Amélie) world. The six odd characters all feel like they’re the loneliest people in the world and all they all come up unusual, lame ideas of establishing contact with the others, for example, with the use of ping pong balls, suction cups or a chainsaw.
This performance is our Christmas gift and is recommend for everyone over 10 years of age.
Ensemble:
David Eriksson Marvel of the century
Fouzia "Fofo" Rakez Wild weird and wonderful
Henrik Agger Wizard of wonder
Louise Bjurholm Miraculous and supernatural
Anna Lagerkvist Mistress of Mayhem
Jesper Nikolajeff Nerves of steel
Concept and direction: Tilde Björfors
Music and lyrics: Rebekka Karijord
Set design: Creative team and ensemble
Costume: Anna Bonnevier
Mask: Helena Andersson
Lighting design: Ulf Englund
Prop design: Tomas Helsing
Film and projections: Johan Bååth
Dramaturge: Camilla Damkjaer
Choreography: Cilla Roos
Circus choreography: Molly Saudek
Technicians:
Patrik Petersson
Patric Martinsson
