At times some of the dancers observe motionlessly from distance while the others fight, at other times they intervene in a web of complicated and subtle human relationships. How can one person become real for the other? Can the desire for one another remain forever unfulfilled? The reality and penetrability of bodies is an eternal question. Is the other person truly real? Must we always fall back from a relationships’ incomprehensible insecurity to our own cruel private reality?
 
“In one scene from ’InTimE’, five dancers on a stage observe one other and interact in a complicated web of human relationships. There is a woman, who behaves as though her body is not her own – as if she was a child and suddenly became a woman. She stumbles awkwardly in her high heels. (…) People have asked me what I’m interested in, what my pieces are about? Well, it’s really simple: human relationships. (…) My plays are ambiguous? Well of course they are! I’m deaf and I’m not. I speak Hungarian and I don’t. I live here and I live there. I’m high and I’m low. I crash and I fly. What do they want? Why I’m so extreme? What should artist be?” explains Pál Frenák. (Time Out Budapest, 2009
 
http://www.frenak.hu/