1200 Ft / Student: 900 Ft / season ticket valid
Experimenting with Samuel Beckett’s and Jean Genet’s texts by playing freely with the different proportions of music, dance and verbality.
Through the constant changes, this is a kind of practice, through which we get closer and closer to a particular language, to the means of expression, which use visuality, verbality, music and movements on the same level.
”The bitter laugh laughs at that which is not good, it is the ethical laugh. The hollow laugh laughs at that which is not true, it is the intellectual laugh… But the mirthless laugh is the diagnostic laugh … It is the laugh of laughs, the … laugh laughing at the laugh, the beholding, the saluting of the highest joke, in a word the laugh that laughs … at that which is unhappy. Personally of course I regret all.” (Samuel Beckett: Watt)
„We are working and searching. We are trying to hold and put together the materials, and indeed, our goal is often the creation of complexity, but sometimes the opposite happens: we get rid of the tools of expression and go for simplicity. The composition of dance, script, music and fine arts comes naturally in the modern theatre. It’s called contemporary theatre. Dance itself is fine art.” (Csaba Horváth)
With:
ANDRÁSSY Máté, BLASKÓ Borbála, BORA Gábor, FÖLDEÁKI Nóra, KÁDAS József, KRISZTIK Csaba, LŐRINC Katalin, NAGY Viktória, SIPOS Vera/SIMKÓ Katalin
Choreographer-Director: HORVÁTH Csaba
