2800 Ft
10% discount with Trafó season ticket or Café Budapest Contemporary Art Festival Card
In the framework of Café Budapest Contemporary Art Festival.
Since the foundation of RUBBERBANDance Group in 2002, Victor Quijada has created a number of works incorporating his influences from hip-hop and classical dance. Loan Sharking is based on the idea of retrieving and appropriating these choreographies to create a new repertoire program that offers a wide perspective on the many lyrical and physical possibilities of the particular vocabulary developed by the company. This work exhibits the rich mix of contemporary dance and the techniques and textures of various street dance forms. Refined over the last decade, this movement style coils tight and strong in the solar plexus, as arms and legs move freely, pushing and carving through space.
Choreographer: Victor QUIJADA
Lighting Design: Yan LEE CHAN
Music: Igor STRAVINSKY, Antonio VIVALDI, Dave BRUBECK
Original music: Jasper GAHUNIA
Costume Designer: Anne-Marie VEEVAETE
Performers:
Karen CASTLEMAN
Elon HÖGLUND
Emmanuelle LÊ PHAN
Daniel MAYO
Anne PLAMONDON
Victor QUIJADA
Lila-Mae G.-TALBOT
Act 1.
Dr Ib Erif (2008)
Music : Igor STRAVINSKY – Firebird
Soft Watching the First Implosion (2005)
Music: Antonio VIVALDI – Cello Concerto in A minor
Attempt #2 at Reinventing the Hip Hop Routine (2002)
Music: Dave BRUBECK – Take Five
Act 2.
Punto Ciego Abreviado
Music: Jasper GAHUNIA (aka DJ Lil’ Jaz)
Co-production partners: the Société de la Place des Arts (Montréal), the National Arts Centre (Ottawa), the New England Foundation for the Arts (USA)
Supporters: Residencies provided by Centennial Hall (Lennoxville, QC), Salle Pauline-Julien (Sainte-Geneviève, QC), Maison de la culture Mercier du réseau Accès culture (Montreal, QC), the Canada Council for the Arts, Conseil des arts et des lettres du Québec, the Conseil des arts de Montréal.
Special thanks: Michel Gagnon, Place of Arts, H-Art Management
Photo: Michael Slobodian
Since the foundation of RUBBERBANDance Group in 2002, Victor Quijada has created a number of works incorporating his influences from hip-hop and classical dance. Loan Sharking is based on the idea of retrieving and appropriating these choreographies to create a new repertoire program that offers a wide perspective on the many lyrical and physical possibilities of the particular vocabulary developed by the company. This work exhibits the rich mix of contemporary dance and the techniques and textures of various street dance forms. Refined over the last decade, this movement style coils tight and strong in the solar plexus, as arms and legs move freely, pushing and carving through space.
Choreographer: Victor QUIJADA
Lighting Design: Yan LEE CHAN
Music: Igor STRAVINSKY, Antonio VIVALDI, Dave BRUBECK
Original music: Jasper GAHUNIA
Costume Designer: Anne-Marie VEEVAETE
Performers:
Karen CASTLEMAN
Elon HÖGLUND
Emmanuelle LÊ PHAN
Daniel MAYO
Anne PLAMONDON
Victor QUIJADA
Lila-Mae G.-TALBOT
Act 1.
Dr Ib Erif (2008)
Music : Igor STRAVINSKY – Firebird
Soft Watching the First Implosion (2005)
Music: Antonio VIVALDI – Cello Concerto in A minor
Attempt #2 at Reinventing the Hip Hop Routine (2002)
Music: Dave BRUBECK – Take Five
Act 2.
Punto Ciego Abreviado
Music: Jasper GAHUNIA (aka DJ Lil’ Jaz)
Co-production partners: the Société de la Place des Arts (Montréal), the National Arts Centre (Ottawa), the New England Foundation for the Arts (USA)
Supporters: Residencies provided by Centennial Hall (Lennoxville, QC), Salle Pauline-Julien (Sainte-Geneviève, QC), Maison de la culture Mercier du réseau Accès culture (Montreal, QC), the Canada Council for the Arts, Conseil des arts et des lettres du Québec, the Conseil des arts de Montréal.
Special thanks: Michel Gagnon, Place of Arts, H-Art Management
Photo: Michael Slobodian
