Entry is free.
Locations:
Művész Art Cinema, 1066 Budapest Teréz krt. 30.
French Institute, 1011 Budapest, Fő u. 17.
8 February, 7pm
French Institute
Patrice Chéreau, le corps au travail
(ARTE France, 2009, 75’)
Directed by: Stéphane METGE
in french
How to practice three different major art forms – theatre, opera and cinema – that Patrice Chéreau is intimately convinced are always the same work? Patrice Chéreau, the Body in the Arts talks about his major influences.
8 February, 7pm
Művész Art Cinema
Cabaret-Berlin, la scène sauvage
(ARTE France, 2009, 60’)
Written and directed by: Fabienne ROUSSO-LENOIR
Cabaret-Berlin, the Wild Scene offers an inside view of the Berlin artistic cabaret scene, as an eye witness to the Weimar Republic's history. Alongside the dramatic events accompanying the Era of Inflation, the Golden Years, the Depression and the surge of Nazism, the film shines a spotlight on this watchtower of unbroken conscience.
8 February, 8pm
Művész Art Cinema
Sidi Larbi Cherkaoui – Rêves de Babel
(ARTE France, 2009, 59’)
Written by: Christian DUMAIS-LVOWSKI
Directed by: Donald KENT
In 10 years, Sidi Larbi Cherkaoui has become a world-rank choreographer whose work is presented everywhere. In four locations, China, India, Corsica and Antwerp, we discover one of the most prolific and appealing personalities of contemporary dance scene.
9 February, 7pm
Művész Art Cinema
Maguy Marin, la danse cachée
(ARTE France – Camera Lucida Productions – Daphnie Production – CCN Rillieux-la-Pape-Compagnie Maguy Marin, 2009, 82’)
Directed by: Marie-Hélène REBOIS
Maguy Marin, the Hidden Dance leads us into the world of this choreographer, woman of conviction, free and passionate. Through her latest five plays we can see how she moves forward and how she resists, how her work is being crossed over by the world surrounding it.
9 February, 8:30pm
Művész Art Cinema
Angelin Preljocaj: Blanche neige
(ARTE France, MK2 2009, 90’)
Blanche-Neige, the English translation being Snow White, was one of the many stories that leading French choreographer, Angelin Preljocaj read to his children, and on which he finally chose to base his latest contemporary yet highly romantic work, set to a sumptuous score by Gustav Mahler.
