Clearing the Attic
You can all stay home, for all I care. I don’t want to be nice. I’ve got nothing in my hands, not even kind words, to lure you to this place. All I’ve got is this great yearning in my heart to get rid of all this junk, all the building blocks of my meticulously sheltered existence. Dóra Furulyás performs a custom-fit retrospective version of the deeply personal, dramatic, and grotesquely funny solo piece choreographed in 2004 by Réka Szabó, the artistic director of The Symptoms.
Loop
“No eloquence could have been so withering to one’s belief in mankind as his final burst of sincerity.” (Joseph Conrad, Heart of Darkness) In this solo dance piece, Dániel Szász enacts a strange psychoanalytic session without a conductor, in reverse.
You can all stay home, for all I care. I don’t want to be nice. I’ve got nothing in my hands, not even kind words, to lure you to this place. All I’ve got is this great yearning in my heart to get rid of all this junk, all the building blocks of my meticulously sheltered existence. Dóra Furulyás performs a custom-fit retrospective version of the deeply personal, dramatic, and grotesquely funny solo piece choreographed in 2004 by Réka Szabó, the artistic director of The Symptoms.
Loop
“No eloquence could have been so withering to one’s belief in mankind as his final burst of sincerity.” (Joseph Conrad, Heart of Darkness) In this solo dance piece, Dániel Szász enacts a strange psychoanalytic session without a conductor, in reverse.
