DV8 (UK): John

3000 HUF / Student: 2400 HUF
Dear visitors, please note that following the demand of the company the performances of DV8 will start EXACTLY at 8pm! Latecomers will not be admitted.
 
In English with Hungarian subtitles.

On 2nd October prior to the performance in the basement club (free of charge):

FILM SCREENING
at 6.00pm we are screening Newson’s inspirational, multi-awarded film The Cost of Living (2004).

PRE-SHOW DISCUSSION
at 6.30pm with Lloyd Newson (artistic director of DV8 Physical Theatre) moderated by Ádám Nádasdy (linguist, poet, translator). The talk is in English, the entrance is free, everybody is welcome!


After its Austrian premier in August John, the latest work of England’s probably most out-standing company arrives to Budapest!
Lloyd Newson has interviewed over 50 men, asking them frank, in depth questions about their lives and thoughts on sex, love and personal struggles. Years of crime, drug use and struggling to survive lead John on a search in which his life converges with others in an unexpected place, unknown by most. John authentically depicts real-life stories, combining movement and spoken word. In this new work we get a peek of – what is for many – an unfamiliar world. Similarly to Can we talk about this? the piece will be as polarizing as engaging. Lloyd Newson revolutionary move is the way he creates specific links between dance, physical and verbatim theatre. But from the start it is movement with meaning that matters.
 
DV8 Physical Theatre's work is about taking risks, aesthetically and physically, about breaking down the barriers between dance, theatre and personal politics and, above all, communicating ideas and feelings clearly and unpretentiously.
 
ATTENTION: Contains adult themes, strong language and nudity. Not appropriate for viewers under 16 years of age.



A Work Conceived And Directed by: Lloyd NEWSON
Creative Associate: Hannes LANGOLF
Performers: Taylor BENJAMIN, Lee BOGGESS, Gabriel CASTILLO, Ian GARSIDE, Ermira GORO, Garth JOHNSON, Hannes LANGOLF, Vivien WOOD, Andi XHUMA
 
Assistant to the Director, Company Manager: David GREWCOCK
Choreography: Lloyd NEWSON with the performers
Set and Costume Design: Anna FLEISCHLE
Lighting Design: Richard GODIN
Sound Design: Gareth FRY
Production Manager: Tom PATTULLO
 
Technical Stage Manager: Matt DAVIS
Production Carpenter: Michael RAMSAY
Re-lights, Operator: Ben DODDS
Sound Engineer: Fergus MOUNT
 
Revolve Operator and Assistant Electrician: James BENTLEY
Costume Supervisor: Ilona KARAS
Costume Assistant: Natasha PRYNNE
Design Assistant: Loren ELSTEIN
Associate Sound Designer: Ella WAHLSTRÖM
Props Buyer: Sabia SMITH
Music Supervision: Gabriel CASTILLO
Set Construction: Simon YORK
Footwear Props: Reuben HART (National Theatre)
Wig for Vivien Wood: Giuseppe CANNAS (The National Theatre)
Voiceover Artist: Lee DAVERN
Researchers: Antonio Harris, Tim Owen Jones, Ankur BAHL, Kenny D’KRUZ
Interview Editing: Lloyd Newson, Hannes LANGOLF
Preliminary Sound Editing: Tamsin BARBER, Chester HAYES, Luke JOHNSON, Rachel PHILLIPS, Hedley ROACH
 
Executive Producer: Eva PEPPER
Senior Producer: Louise ELTRINGHAM
Finance Controller: Nancy ROSSI
Fundraising Manager: Jessica CHOI
Administrative Assistant: Rhiannon SAVELL 
 
Regular Company Teachers: Denzil BAILEY, Raymond CHAI, Kerry NICHOLLS, Stephen PELTON, Sonia RAFFERTY, Jeannie STEELE, Tory TROTTER, Vivien WOOD
 
Company Vocal Coach: Melanie PAPPENHEIM
Acting Workshops: Juliet KNIGHT
 
Co-produced by: National Theatre of Great Britain, Biennale de la Danse de Lyon, Théâtre de la Ville and Festival d'Automne Paris, Dansens Hus Stockholm, Dansens Hus Oslo, DV8 Physical Theatre.

 
 
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TRAFÓ KORTÁRS MŰVÉSZETEK HÁZA
ticket office:
  • Main hall performance days: 5 pm - 10 pm
  • studio and club performance days: 5 pm - 8:30 pm
  • other days: 5pm - 8 pm
Trafó Gallery opening hours:
  • Performance days: 4-10pm.
  • Opening hours: Tuesday - Sunday: 4pm-7pm.
  • Closed on Mondays.

  • The Trafó Kortárs Művészetek Háza Nonprofit Kft. works in the maintance of Budapest Főváros Önkormányzata.

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