Tamás Dávid-Barrett & Péter Valcz
The Mourning of Patriarchy: Community HUMAN EXPERIMENT on Hungarian Men’s Day - role-play and discussion for men
Experience patriarchy on your own skin. Experience what it feels like to step out of it. Experience whether it is possible to step out of it at all.
This role-playing game, developed by Oxford behavioural scientist Tamás Dávid-Barrett, offers an experiential insight into the fundamentally different social strategies of our two closest relatives — and their personal and societal consequences. Chimpanzees live in patriarchal systems, while bonobos organize themselves in matriarchies. What kinds of dynamics do these systems produce? Where does the human species fall on this spectrum? And where do you?
The game functions as a simple model, using accessible tools to reveal the underlying logic of these systems — their brutality and their harmony — within a safe framework. Participation is voluntary: attendees may choose to take part actively, contribute to the discussion, or observe. The process is guided and contextualized by Tamás Dávid-Barrett from a behavioural science perspective.
Let’s give real meaning to Hungarian Men’s Day. Let’s engage with what truly matters. You are welcome, whether you know too much or too little about the often-invoked concept of patriarchy. This is the first opportunity to take part in such an experience in Hungary. No prior knowledge is required.
Led by: Tamás Dávid-Barrett and the creators of The Mourning of Patriarchy
The event will be recorded.
The program is part of the creative process of the upcoming theatre production The Mourning of Patriarchy – Gender Equality from a Male Perspective.
“A group of men gathers to mourn the existence of thousands of years of male dominance. But before saying a final goodbye, they collectively recall its finest moments.”
“This project critically engages with male privilege from a male perspective, using an interdisciplinary artistic barrage to push men toward equality with women.”
Premiere: 22 October 2026 – Trafó
Preview: 4 August 2026 – Ördögkatlan Festival
Creators of the performance: Petra Al-Farman, Máté Kőrösi, Ernő Zoltán Rubik, Péter Valcz
Tamás Dávid-Barrett is a behavioural scientist and a lecturer at Trinity College, University of Oxford. He is a Fellow of the Royal Anthropological Institute and a visiting researcher at the Helsinki Population Research Institute. He was previously a professor at the Universidad del Desarrollo (Chile) and a visiting scholar at the Kiel Institute for the World Economy in Germany. Earlier in his career, he founded and led an international macroeconomic research firm that conducted analyses in 35 countries.
His research explores the traits that enable humans to live in large, culturally complex societies. He focuses on how shrinking family sizes, urbanisation, and migration shape social networks, as well as on the evolutionary foundations of gender norms and sharing behaviour.
In 2025, his book Gendered Species was published in Hungarian. The work combines insights from anthropology, network science, biology, and economics to examine how social and evolutionary dynamics shape gender norms. The Hungarian edition was developed with active involvement from the creators of the performance The Mourning of Patriarchy.
Petra Al-Farman is a dramaturg and screenwriter. She graduated in Hungarian Studies from Eötvös Loránd University (ELTE), and later earned degrees in theatre directing and dramaturgy from Freeszfe and the University of Theatre and Performing Arts Baden-Württemberg (ADK Ludwigsburg). Since 2018, she has been a member of the Soharóza choir. Her research focuses on choral theatre, as well as documentary and site-specific theatrical forms. As a dramaturg, she has worked on community-based theatre and musical performances, where collective creation and voice-based dramaturgy play a central role.
Máté Kőrösi is a documentary filmmaker. He graduated from the University of Theatre and Film Arts (SZFE), and his first feature-length film, Dívák, was produced by HBO and received awards at international film festivals. Alongside his own projects, he works as a freelance filmmaker and creative collaborator in independent theatre and music scenes. He is particularly interested in social awareness and the representation of reality through personal perspectives. He has collaborated with several civil organizations, including the Autonómia Foundation, Direkt36, and the Piros Orr Bohócdoktorok (Red Noses Clowndoctors).
Ernő Zoltán Rubik is a composer, pianist, and music educator. His work explores the relationship between improvisation, spatial sound, and sonic atmospheres. He is a regular collaborator in theatre and movement-based productions, blending classical and contemporary elements into meditative yet tension-filled musical structures.
Péter Valcz is an actor, director, and carpenter. After studying acting in Kaposvár, he trained at the international Jacques Lecoq school in Paris. He has worked with numerous companies in Hungary and abroad (including Paris, Ingolstadt, Cluj-Napoca, Debrecen, Szolnok, and Pune, India). His work is characterized by a human-centered approach, movement-based character building, humor, and social sensitivity. In 2025, he earned his MA degree with distinction in Theatre Studies at ELTE.
Led by: Tamás Dávid-Barrett and the creators of the performance
Creators of the performance: Petra Al-Farman, Máté Kőrösi, Ernő Zoltán Rubik, Péter Valcz
Supported by: Staféta, Municipality of Budapest, Trafó House of Contemporary Arts, FÜGE, Tünet Ensemble
Produced by: Magnum Production
Coproduced by: Trafó House of Contemporary Arts
| FÜGE Produkció | |
| Magnum Produkciós Iroda | |
| Staféta program | |
| Tünet Együttes | |
| Budapest Főváros Önkormányzata |
