Concave Version
CONCAVE VERSION, concert/performance
AUZOR, JACKIE TRISTE, IGNOR PETRE, _DAS_
24/01/2017 (TUE) 7 pm
TRAFOCLUB
Free
Soundcloud teaser:
https://soundcloud.com/
The performance/concert/play of the group which consists of AUZOR, JACKIE TRISTE, IGNORE PETRE, and _DAS_ is part of the Interference exhibition project of Trafó Gallery and will be held in Trafóklub during Nextfeszt 2017. The first performances of the group/band/performer team which already experimented with language and music were held in 2015 in the frame of the _vario_ project which was part of the first Budapest OFF Biennale.
The performance of the group is using monumental motives of an almost forgotten epoch to evoke a subculture, which never existed, and to try to flash images from this subculture for the audience. The performance summons the major tendencies of Hungarian post-war modernism, with appropriating fragments of texts, reviews written in the 1970s and 1980s about public sculpture. The abstract text collage creates a uniquely toxic sound together with the futuristic, experimental and avantgarde music, which sometimes compliments, sometimes deconstructs and deteorritates the overall effect. The group’s performance adds a new imaginary perspective on the poetic examination of contemporary asbtract tendencies.
AUZOR, JACKIE TRISTE, IGNOR PETRE, _DAS_
24/01/2017 (TUE) 7 pm
TRAFOCLUB
Free
Soundcloud teaser:
https://soundcloud.com/
The performance/concert/play of the group which consists of AUZOR, JACKIE TRISTE, IGNORE PETRE, and _DAS_ is part of the Interference exhibition project of Trafó Gallery and will be held in Trafóklub during Nextfeszt 2017. The first performances of the group/band/performer team which already experimented with language and music were held in 2015 in the frame of the _vario_ project which was part of the first Budapest OFF Biennale.
The performance of the group is using monumental motives of an almost forgotten epoch to evoke a subculture, which never existed, and to try to flash images from this subculture for the audience. The performance summons the major tendencies of Hungarian post-war modernism, with appropriating fragments of texts, reviews written in the 1970s and 1980s about public sculpture. The abstract text collage creates a uniquely toxic sound together with the futuristic, experimental and avantgarde music, which sometimes compliments, sometimes deconstructs and deteorritates the overall effect. The group’s performance adds a new imaginary perspective on the poetic examination of contemporary asbtract tendencies.
