Mohammad (MMMD) (GR), Rhys Chatham (US)

1900 HUF | in advanced booking: 1500 HUF (the first 100 tickets)
Mohammad [Antifrost , PAN] have been forging their deep monolithic sound for the past 6 years, bringing together low frequencies, inter-modulations, dark textures, and distant folk nuances through custom made instruments and software.
Prolific in their output with 6 releases to date, their sonic arsenal is equally deployed live, a ceremonial experience in physical sound [quoted by some as ‘Chamber Doom”] that evokes a wide emotional palette.
Mohammad  produce their sound through custom made instruments and software, bringing together low frequencies, inter-modulations, dark textures, and distant folk nuances. 
 



 
Rhys Chatham is a composer and multi-instrumentalist from Manhattan, currently living in Paris, who fused avant-garde minimalism with the electric crunch of punk rock. Chatham's instrumentation ranges from the seminal composition Guitar Trio, composed in 1977 for 3 electric guitars, electric bass and drums, to the epoch evening-length work for 100 electric guitars, An Angel Moves Too Fast to See, composed in 1989... all the way to Chatham's recent composition for 200 electric guitars, A Crimson Grail, last performed in New York at the Lincoln Center Outdoor Summer Festival in 2009. Chatham spent most of the 90s working with trumpet, releasing works on labels as diverse as Ninja Tune, The Wire Editions and Virgin Records and later with Northern-Spy Records.  Adding flute and electric guitar to the mix, Chatham is currently touring as a solo performer, playing versions of his recently released LP, A Pythagorean Dream, from Foom Records.



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